MiyamotoвЂ™s instincts would soon be borne out. вЂњWe were afraid that gamers would become bored and stressed by the new concept.вЂќ вЂњI remember that we were very nervous because The Legend of Zelda was our first game that forced the players to think about what they should do next,вЂќ he said. In a 2003 interview with Superplay Magazine, Miyamoto spoke about the mood among NintendoвЂ™s management at the time. He wanted to reproduce in video game form the same sense of awe and excitement he felt when he explored forests and caves as a kid, to introduce the pleasure of discovering things or the anxiety of becoming lost in a maze.ДЇurther Reading: The Many Innovations of The Legend of Zelda For these, Miyamoto drew heavily on his childhood memories of the Kyoto countryside. It was the gameвЂ™s ideas, rather than its technical achievements, however, that made Zelda such an enduring classic.

Unlike the game itself, the Disk System wasnвЂ™t particularly popular, and The Legend of Zelda was re-released a year later on a standard cartridge with battery back-up вЂ“ another gaming first. The launch title for NintendoвЂ™s then-new Famicom Disk System peripheral, the disksвЂ™ 112KB capacity allowed more room for content than a standard NES cartridge and also meant that players could save their progress вЂ“ a first for a console game. Like a compressed dice-and-paper role-playing game, it would contain monsters, dungeons, missions to complete, characters to converse with, and ultimately, an evil villain to be defeated and a damsel to rescue.ДЇor the technology of the time, MiyamotoвЂ™s plans for Zelda were ambitious, to say the least.

Zelda would unfold more like a fantasy novel than a 10-minute thrill-ride, with an open world to explore and a definite, if simple, character arc for its protagonist. contained all the immediate, infectious energy of the eraвЂ™s coin-ops вЂ“ a mad dash from left to right, a skillful player could conquer the game within minutes вЂ“ The Legend of Zelda would project a very different pace and atmosphere. In 1986, developers were more intent on bringing home the sort of quick-fix thrills youвЂ™d find down at the local arcade, and the concept at the core of The Legend of Zelda, therefore, was quite a fresh one. Lest we forget, deeper, RPG-like experiences were largely unknown on consoles of the mid-вЂ™80s and were still the preserve of home computers. Working with story writer Takashi Tezuka, the pair created a game that was quite unlike anything that had appeared on a console before and would have a far-reaching impact on those that would come after it. вЂ“ which would go on to sell more than 40 million copies around the world in the years after its release in 1985 вЂ“ Miyamoto began work on what is perhaps his most personal video game, The Legend of Zelda. The creative mind behind, among many other things, Donkey Kong and Super Mario,thereвЂ™s scarcely a genre that hasnвЂ™t, in some form, felt the impact of MiyamotoвЂ™s ideas.Дuring the development of what would become the enormously successful Super Mario Bros. At the same time, few people working in the industry have had quite as much influence as Shigeru Miyamoto, whoвЂ™s widely recognized as one of the most important figures in gaming history. The evolution of video games as we play them today is the result of dozens of development studios and the hard work and ideas of hundreds of individuals.

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